Dolph, Diana and Cupid (after Batoni, 1761)

Edition of 45

Medium
36 x 40 cm / 14" x 16"

Large
54 x 60 cm / 21" x 24"

71 x 80 cm / 27" x 31"

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Undeniably one of Ross Watson's most detailed paintings, requiring no less than two months continual work, this exceptional and large scale work references Diana and Cupid by Pompeo Batoni, and features Bel Ami’s popular and handsome Dolph Lambert.

One of the most successful painters in 18th Century Rome, Batoni, like Watson, catered mostly for a foreign audience. He painted the work in 1761, which captured Watson’s attention on one of his visits to the Metropolitan Museum, and shows Diana the goddess of the hunt withholding the bow from Cupid. Cupid is normally depicted with Venus the goddess of love, though here it is Diana who is also the Goddess of chastity and the moon who playfully chastises him for using a hunting weapon to instill love.

Watson’s masterful incorporation of Lambert within the composition creates an arching visual curve above the group, between Cupid and the bow, which introduces a curious ambiguity as to the target of Cupid's reaching. Given Watson never alters the proportions, or re-arranges figures within a classical artwork he is referencing, it is striking to to observe the seated dog looking longingly up to Lambert, whose luminous peaches and cream complexion compliments those of Diana and Cupid.

Diana and Cupid was painted for Sir Humphrey Morice (1723–1785), son of a wealthy merchant and director of the Bank of England. Morice was a great animal lover and commissioned from Batoni a portrait of himself reclining in the Roman countryside after the hunt as a pendant to this canvas, which although full of extraordinary warmth and feeling, the figure of Diana is based on a celebrated ancient statue of the sleeping Ariadne in the Vatican.

Complete with exquisitely painted details, including the dozens of coloured feathers in Cupid’s wings, this fine trophy painting is set to be an important centre-piece in Watson’s New York exhibition this June.

Each Giclee Edition Print is in an edition of 45 and is numbered and hand-signed by the artist immediately below the printed image.  

Limited Edition prints are printed using archival museum quality inks on the world's leading textured art paper: Hahnemühle Torchon.

The quality of the Giclee print rivals traditional silver-halide and gelatin printing processes and is commonly found in museums, art galleries, and photographic galleries. 

Sizes provided are the unframed image size.  A white border of approximately 4 cm is provided to facilitate framing. 

We fulfill orders from the lowest available edition number.

Ross Watson signing an unframed limited edition print

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All Limited Edition Prints, Canvases and Photography are sent unframed and packaged in re-enforced postal tubes.

All items will be shipped within 3 business days of receiving payment for your order. Delivery times can vary, but purchases are generally received worldwide within 5-7 business days from dispatch.

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We take pride in getting your prints to you in the perfect condition. Your print will have been individually inspected and packed in perfect condition. Please minimize handling prior to framing.

“Ross has such an amazing talent. I’m loving the canvas prints as I work in my home office. Thank you for your help and speed.”
Brent Forster, London UK