Untitled #01/12 (after Caravaggio, 1600; featuring Kris Evans)

$ 3,800.00 AUD
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Limited Edition Canvas Details

Edition of 3, and 2 Artist's Proofs
76 x 85 cm / 30" x 34"

Other Edition Print Options

Description

The Calling of St Matthew' is one of Caravaggio's great religious works, and hangs in the Contarelli Chapel in Rome. Watson has relished viewing it numerous times, revisiting it again in July 2011.

His superb most recent painting references Carvaggio's masterpiece, where Bel Ami's Kris Evans kneels spectacularly centre-stage, and is convincingly portrayed participating in the scene. Lit by the dramatic diagonal light, Evans is skillfully positioned so as not to obscure the bearded tax gatherer, Levi, and his colleagues. In the foreground are an accounting book, an inkwell, a moneybag, and Evans joins in assisting in counting coins at the table. The older, bearded man is the most prominent figure amongst the group of tax collectors; he looks directly at the new arrivals and with the gesture of his left hand relates the summons unmistakably to himself.

In the 'The Calling of St Matthew' Caravaggio chose to highlight only Jesus' face and hand. Watson has taken this a step further cropping a portion from the right-side, thereby highlighting the extended arms of Jesus and St Peter commanding to follow them? Who though will rise in order to follow unreservedly his calling to be a disciple? Watson's choice of Evans positioned centre-stage is in keeping with who Jesus called as disciples and ministered to.

Caravaggio often had to grapple with the particular requirements that pictures destined for a sacred setting were expected to fulfill with regards to the stipulations of decorum. Watson's addition of Evans kneeling on the table echoes Caravaggio's revolutionary presentation of his subjects. It would appear unremarkable to many in the 21st century, though would without doubt have been rejected as a commissioned work by church authorities in the early 17th century. Whilst Evan's career choice is condemned by some, this fine painting evokes the compassion and differentiation inherent in many catholics today to issues of morality, which in contrast, the Vatican continues to condemn.

About Limited Edition Canvases

These are our most collectable editions. 

All available Edition Canvases are in an edition of three with two artist's proofs. They are hand-signed and numbered by Ross Watson on the reverse (non-image) side of the canvas.  Your prefered edition number to purchase can be selected from the top menu.

An Artist's Proof is the same quality as the editions numbered 1-3, and is the first print produced when colour and quality is perfected. Each canvas is of equal quality and value.

Edition Canvases are printed with archival inks on the world's leading archival canvas: Hahnemühle Daguerre.  

Use of glass in framing is optional, eliminating potential of reflections when viewing your canvas.

The sizes provided are the unframed image size. The canvases are printed with a generous white border and we recommend they be placed on a wooden stretcher before adding a decorative frame.

Verso of framed signed canvas on a wooden stretcher

Delivery Information

We offer FREE worldwide fully-insured postage and packaging for all Limited Edition Prints and Photography.

All Limited Edition Prints, Canvases and Photography are sent unframed and packaged in re-enforced postal tubes.

All items will be shipped within 3 business days of receiving payment for your order. Delivery times can vary, but purchases are generally received worldwide within 5-7 business days from dispatch.

Items to be sent domestically will be sent using registered Australian Post. International orders are sent using international postal Express Mail Service (EMS). Tracking details will be provide upon dispatch of your order.

We take pride in getting your prints to you in the perfect condition. Your print will have been individually inspected and packed in perfect condition. Please minimize handling prior to framing.

Collector Testimonials

"I'm amazed at the way the colours and detail are so close to the paintings. How do you do it?  It looks incredible."
Jason Devonshire, Melbourne, AUS
26 January, 2019

"Thank you for getting the prints to me in time for Christmas. I really appreciate the extra help you gave."
Rick Johnson, San Francisco, USA
22 December, 2018

"I'm pleased I decided to go with the canvas edition.  I really like the texure it gives to the art and your framer was so helpful."
David Dunstan, Melbourne, AUS
4 September, 2018

"Ross' gorgeous prints are hanging in the hall and everyone who visits just loves them! Thanks Stephen for all your help."
Evan Carsley, Boston USA
18 September, 2017

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