Untitled #01/12 (after Caravaggio, 1600; featuring Kris Evans)

$ 660.00 AUD
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Limited Edition Print Details

Edition of 45

40 x 35 cm / 16" x 14"

60 x 54 cm / 24" x 21"

Other Edition Print Options


The Calling of St Matthew' is one of Caravaggio's great religious works, and hangs in the Contarelli Chapel in Rome. Watson has relished viewing it numerous times, revisiting it again in July 2011.

His superb most recent painting references Carvaggio's masterpiece, where Bel Ami's Kris Evans kneels spectacularly centre-stage, and is convincingly portrayed participating in the scene. Lit by the dramatic diagonal light, Evans is skillfully positioned so as not to obscure the bearded tax gatherer, Levi, and his colleagues. In the foreground are an accounting book, an inkwell, a moneybag, and Evans joins in assisting in counting coins at the table. The older, bearded man is the most prominent figure amongst the group of tax collectors; he looks directly at the new arrivals and with the gesture of his left hand relates the summons unmistakably to himself.

In the 'The Calling of St Matthew' Caravaggio chose to highlight only Jesus' face and hand. Watson has taken this a step further cropping a portion from the right-side, thereby highlighting the extended arms of Jesus and St Peter commanding to follow them? Who though will rise in order to follow unreservedly his calling to be a disciple? Watson's choice of Evans positioned centre-stage is in keeping with who Jesus called as disciples and ministered to.

Caravaggio often had to grapple with the particular requirements that pictures destined for a sacred setting were expected to fulfill with regards to the stipulations of decorum. Watson's addition of Evans kneeling on the table echoes Caravaggio's revolutionary presentation of his subjects. It would appear unremarkable to many in the 21st century, though would without doubt have been rejected as a commissioned work by church authorities in the early 17th century. Whilst Evan's career choice is condemned by some, this fine painting evokes the compassion and differentiation inherent in many catholics today to issues of morality, which in contrast, the Vatican continues to condemn.

About Limited Edition Prints

Each Giclee Edition Print is in an edition of 45 and is numbered and hand-signed by the artist immediately below the printed image.  

Limited Edition prints are printed using archival museum quality inks on the world's leading textured art paper: Hahnemühle Torchon.

The quality of the Giclee print rivals traditional silver-halide and gelatin printing processes and is commonly found in museums, art galleries, and photographic galleries. 

Sizes provided are the unframed image size.  A white border of approximately 4 cm is provided to facilitate framing. 

We fulfill orders from the lowest available edition number.

Ross Watson signing a limited edition print

Ross Watson signing an unframed limited edition print

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Delivery Information

We offer FREE worldwide fully-insured postage and packaging for all Limited Edition Prints and Photography.

All Limited Edition Prints, Canvases and Photography are sent unframed and packaged in re-enforced postal tubes.

All items will be shipped within 3 business days of receiving payment for your order. Delivery times can vary, but purchases are generally received worldwide within 5-7 business days from dispatch.

Items to be sent domestically will be sent using registered Australian Post. International orders are sent using international postal Express Mail Service (EMS). Tracking details will be provide upon dispatch of your order.

We take pride in getting your prints to you in the perfect condition. Your print will have been individually inspected and packed in perfect condition. Please minimize handling prior to framing.

Collector Testimonials

"I'm amazed at the way the colours and detail are so close to the paintings. How do you do it?  It looks incredible."
Jason Devonshire, Melbourne, AUS
26 January, 2019

"Thank you for getting the prints to me in time for Christmas. I really appreciate the extra help you gave."
Rick Johnson, San Francisco, USA
22 December, 2018

"I'm pleased I decided to go with the canvas edition.  I really like the texure it gives to the art and your framer was so helpful."
David Dunstan, Melbourne, AUS
4 September, 2018

"Ross' gorgeous prints are hanging in the hall and everyone who visits just loves them! Thanks Stephen for all your help."
Evan Carsley, Boston USA
18 September, 2017

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